Fuck the Public

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Being marginalised is an honour and a privilege.

The general public have proved themselves to be disinterested in, and content with, the state of contemporary art.

The art establishments only job is to pay as much tax as possible. Anti-art must be rammed down the publics throat. Wealthy art students parents must be ripped off. Lucrative anti-art must be sold to billionaires. Critics must be establishment lap dogs. These are all honourable and necessary practices that the art establishment must be congratulated for. It is a great service to art, to be such a financial support to the country we live in.

It would be a great service to art, for the establishment to inflict themselves only on anti-art. Art must be left to Stuckism, and removed from the art establishment.

The cultural needs of the public are sufficiently catered for, by their local shopping centres and the internet.

The poor quality of art in Tate, is only of concern if you care for sheep being spoon fed.

Tate’s uselessness to art is to be declared and celebrated through protest and opposition.

The Other Muswell Hill Stuckists aren’t interested in the needs of the general public, contemporary relevance, or the cultural benefit of art to society. Society get the art they deserve.

The Other Muswell Hill Stuckists don’t consider the art establishment to be our bad parent, or conceptual art to be our favoured sibling. They’re our wealthy family who go to work every day, while we sit around the house watching telly.

Culture isn’t dependant on cultural institutions. Cultural institutions aren’t exhaustive. Society get from art, what they can be bothered to find. No-one is dependent on the art establishment.

Niches are niche. Disillusioned art students must rebel, or become programmed college drones. This is right and proper.

The Other Muswell Hill Stuckists have nothing to complain about.

Edgeworth Johnstone of The Other Muswell Hill Stuckists

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